Limited quantities available worldwide
Parlophone Records will release David Bowie’s Is It Any Wonder? six track EP on CD and LP in limited quantities on March 20th. The rare and unreleased tracks were first available in digital format over the course of six weeks. The CHANGESNOWBOWIE version of The “Man Who Sold The World” will be replaced by “Fun (Clownboy Mix)” on the physical components.
“Baby Universal” was initially recorded by Tin Machine for Tin Machine II and was regularly performed on Bowie’s Outside Summer Festivals Tour in 1996. The version now being released as “Baby Universal ’97” was originally re-recorded for the Earthling album, however, it was ultimately removed from the final album master, but Bowie was very fond of this version and before the track was dropped was quoted as saying, “I thought ‘Baby Universal’ was a really good song and I don’t think it got heard. I didn’t really want that to happen to it, so I put it on this album… I think this version is very good.”
“Fun (Clownboy Mix)” started out life as a modern revamp of the Bowie classic “Fame” to be performed under the name “Is It Any Wonder?” during Bowie’s “club set” on the Earthling Tour. The basic backing and sequencer tracks were worked at the Factory in Dublin docklands during the pre-tour rehearsals in early 1997. A live version of “Fame” (“Is It Any Wonder?”) was recorded at the Amsterdam Paradiso on June 10, 1997, was further worked on by Mark Plati and Reeves Gabrels at Looking Glass Studios in New York and mixed at Sony Music Studios in New York in February 1998. Referenced in interviews by Reeves Gabrels as “Funhouse,” the song further developed lyrically and musically and, by the time Danny Saber created the Clownboy mix in May 1998, it was a completely new piece of work written by Bowie and Gabrels and featuring no elements of “Fame.” The Clownboy mix has previously only appeared on a BowieNet subscriber exclusive CD-ROM in 1998 and on Virgin Records in-house CD-R’s along with four other Clownboy mix variants.
“Stay” originally appeared on the Station To Station album in 1976 and was released as a single in the US in August of that year. The previously unreleased 1997 re-recording of “Stay” began at The Factory in the Dublin Docklands during the pre-Earthling Tour rehearsals while Bowie, Mark Plati and Gabrels were preparing the backing/sequencer tracks before the rest of the band arrived, and the rehearsals started in earnest. Bowie wanted to “update” some of his live show staples so they would sit well sonically with the Outside/Earthling material. The recording was completed later, potentially for use as a B-side, and mixed at Right Track Recording Studios, New York in May/June 1997.
“I Can’t Read” originally appeared on Tin Machine’s eponymous debut album in 1989, and was a staple in the band’s live set. In the autumn of 1996, during the mixing stages for Earthling, Bowie re-recorded the track – which, at one stage, appeared on a mastered version of the album. “I Can’t Read ’97,” was Bowie’s preferred solo version, it was ultimately cut from Earthling and replaced at the last minute with “The Last Thing You Should Do.”
The unreleased semi instrumental “Nuts” was jointly written by Bowie, Gabrels and Plati. It was recorded during the final Earthling sessions in November 1996, the same session during which “The Last Thing You Should Do” was written and recorded. Both songs were being recorded as bonus tracks but then, at the last minute Bowie swapped out “I Can’t Read” with “The Last Thing You Should Do.” However, “Nuts” has remained unreleased until now.
A live recording of “The Man Who Sold The World” was taken by Bowie collaborator Brian Eno into Westside Studios in London on October 30, 1995, and reshaped with some overdubs and mixing. Eno wrote about the mix in his diaries saying: “I added some backing vocals and a sonar blip and sculpted the piece a little so that there was more contour to it.” It was previously released as a double A-side on a green vinyl 7” single and as part of a CD single in various territories with the Outside version of “Strangers When We Meet” in 1995, this version is based on the fairly radical trip-hop reworking of the song as performed on the Outside World Tour.
- Baby Universal ‘97
- Fun (Clownboy Mix)
- Stay ’97
- I Can’t Read ’97
- The Man Who Sold The World (Live Eno Mix)
Author: Buddy Iahn
Buddy Iahn founded The Music Universe when he decided to juxtapose his love of web design and music. As a lifelong drummer, he decided to take a hiatus from playing music to report it. The website began as a fun project in 2013 to one of the top independent news sites.