Fiona Apple releases song to support mothers affected by the broken cash-bail system

“Pretrial (Let Her Go Home)” is available now

Fiona Apple releases โ€œPretrial (Let Her Go Home),โ€ an intensely moving new song that plainly and powerfully illustrates the horrifying effects of our cash-bail system on women, girls, and โ€” especially โ€” black mothers. Created in support of the Free Black Mamas DMV initiative, the release comes with a video incorporating photos and footage shared by women who have survived pretrial detention.

โ€œPretrial (Let Her Go Home)โ€ grew out of Appleโ€™s recent years court-watching for CourtWatch PG. Through that work, she witnessed the all-too-common practice of mothers being separated from those who need them โ€” thrown in jail despite a presumption of innocence simply because they couldnโ€™t afford bail. Verse by verse, the song lays out a deepening devastation summed up by the heartbreaking lyric, โ€œThey wouldnโ€™t let her go home and now thereโ€™s no more home.โ€

“I was a court watcher for over two years,” Apple says. “In that time, I took notes on thousands of bond hearings. Time and time again, I listened as people were taken away and put in jail, for no other reason than that they couldnโ€™t afford to buy their way free. It was particularly hard to hear mothers and caretakers get taken away from the people who depend on them. For the past five years, I have been volunteering with the Free Black Mamas DMV bailout, and I have been lucky to be able to witness the stories of women who fought for and won their freedom with the tireless and loving support of the leadership. I hope that this song, and the images shared with me, can help to show what is at stake when someone is kept in pretrial detention. I give this song in friendship and respect to all who have experienced the pain of pretrial detention and to the women of the groupโ€™s leadership who have taught me so much and whom I truly love.”

The โ€œPretrial (Let Her Go Home)โ€ video, produced by Zealous and Special Operations Studios, underscores the cold realities of the song, while showing thousands of images of everyday hope and freedom โ€“ warm photos and videos provided by women whoโ€™ve lived through pretrial detention, capturing family moments, personal accomplishments, and community bonding. But as Apple sings on โ€” detailing a downward spiral of lost wages, unpaid rent, custody loss, and crushing shame โ€” people and places begin glitching out and disappearing from the frame. The loss is visceral.

Buddy Iahn
Buddy Iahn