The album will be issued on a collector’s edition glow-in-the-dark vinyl & orange cassette
Interscope Records will release Quentin Tarantino’s Pulp Fiction: The 30th Anniversary Edition soundtrack on December 13th. The soundtrack will be available on a limited edition glow-in-the-dark vinyl and as an orange cassette to celebrate the film’s 30th anniversary, exclusively at the label’s website.
The album features a fascinating cross-section of well-known hits, obscure revivals, and remakes, combined in a package that was so popular, it sparked a new surf music craze, helped launch the career of Urge Overkill, brought Dick Dale, Kool & the Gang, Dusty Springfield and others to a new generation.
Dick Dale’s “Misirlou,” with his group the Del-Tones, became the opening music for the film and the album, making the American surf guitar king cooler than he’d been for decades. British instrumental favorites the Tornadoes’ “Bustin’ Surfboards” and 1960s American surf group the Lively Ones’ “Surf Rider” kept that flavor going, and the rock ‘n’ roll element was further enhanced by Ricky Nelson’s 1958 US top ten hit “Lonesome Town,” and Chuck Berry’s “You Never Can Tell.”
Chicago alternative rock band Urge Overkill was given a huge boost by the inclusion of their cover of one of Neil Diamond’s first hits, the 1967 American top tenner “Girl, You’ll Be A Woman Soon.” Springfield’s much-admired and soulful “Son of a Preacher Man,” from her classic 1968 album Dusty In Memphis, was accompanied on the album by another much-traveled soul standard, Al Green’s “Let’s Stay Together.”
Kool & the Gang, who had much earlier reaped the benefits of having their “Open Sesame” on the multi-million-selling Saturday Night Fever soundtrack of 1977, enjoyed another upswing as their first big crossover pop hit of late 1973, “Jungle Boogie,” also became part of Pulp Fiction.
Former Lone Justice frontwoman Maria McKee contributed her composition of “If Love Is A Red Dress (Hang Me In Rags),” and another of the most striking inclusions was “Flowers On The Wall,” a No. 2 country success in 1966 for the long-running Staunton, Virginia group the Statler Brothers.
The Pulp Fiction soundtrack reached No. 21 on the Billboard album chart and went on to estimated album equivalents of more than six million in America alone.
Side A:
1. Pumpkin And Honey Bunny / Misirlou – Tim Roth, Amanda Plummer / Dick Dale & His Del-Tones
2. Royale With Cheese – John Travolta, Samuel L. Jackson
3. Jungle Boogie – Kool & The Gang
4. Let’s Stay Together – Al Green
5. Bustin’ Surfboards – The Tornadoes
6. Lonesome Town – Ricky Nelson
7. Son Of A Preacher Man – Dusty Springfield
8. Zed’s Dead, Baby / Bullwinkle Part II – Maria De Medeiros, Bruce Willis / The Centurians
Side B:
1. Jack Rabbit Slims Twist Contest / You Never Can Tell – Jerome Patrick Hoban / Chuck Berry
2. Girl, You’ll Be A Woman Soon – Urge Overkill
3. If Love Is A Red Dress (Hang Me In Rags) – Maria McKee
4. Bring Out The Gimp / Comanche – Peter Greene, Duane Whitaker / The Revels
5. Flowers On The Wall – The Statler Brothers
6. Personality Goes A Long Way – John Travolta, Samuel L. Jackson
7. Surf Rider – The Lively Ones
8. Ezekiel 25:17 – Samuel L. Jackson