Justin Timberlake powers through high-energy set in Baltimore

The โ€œSexyBackโ€ singer is currently on his first global trek in several years

Pop prince Justin Timberlake danced, grooved, and gyrated his way through more than two dozen songs at CFG Bank Arena on Wednesday night (July 3rd) in Baltimore.

The concert was a non-stop party. Timberlake kept his trademark energy up for four opening numbers. He then delivered knock-out vocals on the stripped-down opening of โ€œMy Loveโ€ before the song turned into a full-blown power ballad.

The charm that has made Timberlake an endearing, fun-loving figure of pop culture was also on display. He spent a good portion of time chatting with a soon-to-be-ten-year-old who was dressed like JT, bling and all. โ€œYou out-rizzed me!โ€ Timberlake joked.

Both Timberlakeโ€™s drummer and trumpet player are Baltimore natives. The latter, Dante Winslow, could be spotted at the merch both meeting fans and selling his own shirt. JT told the crowd that Winslow had the whole crew, including Timberlake, to a family cookout.

Timberlakeโ€™s band is massive, comprising two full risers on both sides of the stage. Unique for a pop artist, a horn section adds a refreshing texture to the music. This large band allowed Timberlake to slide the scale between his pop sound and more rock attitude. โ€œSanctifiedโ€ stood out as a red-hot rocker, while the live arrangement for โ€œImaginationโ€ fits squarely in the pop box.

At 43 and perpetually baby-faced, Timberlake still moves like a fresh-faced boy bander. Itโ€™s a deceptively complex thing to sing live and hit your choreo for each number. But JT makes it look effortless. He stays in syncโ€”sorry, had toโ€”with his killer background dancers all night.

The stage show is impeccable. Not overdone and yet immersive, itโ€™s lightly based on the theme of a desert monolith. The lighting rig extends all the way to the back of the arena for a mesmerizing light show. Choosing โ€œmood lightingโ€ rather than a follow spot for much of the numbers, this reporter advises getting tickets as close as possible to the stage if you want to directly witness Timberlakeโ€™s boyish charm.

But the back offers breathtaking views of the full production, and JT spends considerable time on a B-stage. In this case, B stands for โ€œBar.โ€ The VIP experience includes a seat at the outer ring of the B-stage, with its inner cavity providing complete bar service. It is here where Timberlake appropriately delivers his classy โ€œSuit and Tie,โ€ atop the musical liquor cabinet.

Ending the night with โ€œCanโ€™t Stop the Feelingโ€ and โ€œMirrors,โ€ itโ€™s obvious that Timberlakeโ€™s influence is wide-reaching, the strands of his artistic DNA in the pop stars of the last two decades. No need to bring โ€œSexyBack,โ€ itโ€™s here to stay.

Matt Bailey
Matt Bailey

Matt Bailey is a media producer currently located in Washington, DC. He has worked as a writer, producer, and host in a variety of mediums including television news, podcasting, daytime television, and live entertainment. He joined The Music Universe in 2016. Since then, Bailey has traveled across the country to review hundreds of concerts and interview some of music's biggest hitmakers. Bailey truly believes in the unifying power of experiencing live music. To reach him, please email matt@themusicuniverse.com.