Sheryl Crow releases Johnny Cash duet

โ€œRedemption Dayโ€ Leads Her Late Summer Album Release

Nine-time GRAMMY Award-winner Sheryl Crow believes in the transformative power of music, and the release of a duet with the late Johnny Cash, โ€œRedemption Day,โ€ is a clear indication the world does too. โ€œThis song has had a lot of different lives,โ€ says Crow of the track that originally appeared on her Grammy-winning, triple platinum album Sheryl Crow in 1996. โ€œItโ€™s led me to some strange and interesting opportunities.โ€ This song marks one of those times as a re-recorded version leads her forthcoming album on The Valory Music Co., slated for late summer.

A catalyst to writing โ€œRedemption Day,โ€ Crow visited Bosnia with then-First Lady Hillary Clinton unbeknownst a storied history spanning more than 20 years would follow. โ€œIโ€™d never been anywhere even close to a war-torn area,โ€ Crow expresses of the trip, where she visited military bases, played for troops and met with families. But when she returned home, the news was covering the ongoing genocide in Rwanda. Sifting through feelings of confusion โ€“ โ€œWe had all these resources tied up in Bosnia, and I kept thinking about how and why do we choose where to get involved. Is it desire for control, greed for oilโ€”what is it?โ€ โ€“ she sat down to write a song. At the time, her hope was actually to write about a break-up, but instead, out came a โ€œdiatribe from somewhere in my subconscious,โ€ challenging the motivation and machinery of war.

In 2003, one of Cashโ€™s sons-in-law played โ€œRedemption Dayโ€ for the Man in Black, who then wanted to talk to her. โ€œHe asked a lot of questions about different lines and what I meant,โ€ says Crow. โ€œHe didnโ€™t want to put his voice to the song without being able to believe it heart and soul.โ€

Cash recorded the song and told Crow that he felt it was the cornerstone of his next album, but his version wasnโ€™t released until 2010โ€™s American VI: Ainโ€™t No Grave album. While on tour in 2014, Crow performed โ€œRedemption Dayโ€ as a duet with Cashโ€™s recording, projecting his image onstage โ€” which inspired her to approach his estate with the idea of re-recording a collaboration of their voices for her new project.

Director Shaun Silva coupled footage of Cash next to scenes of a young child watching history unfold, in all of its tragedy and triumph, throughout the โ€œRedemption Dayโ€ music video as a somber yet hopeful Crow carries the melody. โ€œAs a mom of two young kids,โ€ says Crow, โ€œI see that our kids watch what we do on their behalf and how we shape their future. Theyโ€™re privy to everything visual, especially now, and thereโ€™s no way to shield your child from the roughness of reality. If we could see the world through a childโ€™s eyes, we would make different decisions.โ€

Incorporating Cash into the project โ€“ alongside songs with other friends from Keith Richards to Stevie Nicks to St. Vincent โ€“ is more meaningful to Crow than just the sound and memory of one of Americaโ€™s greatest icons. โ€œWith whatโ€™s happening in our nation now, and how dire things look, to have Johnnyโ€™s voice offers some hope,โ€ she says. โ€œKnowing how he felt about the song, I feel pretty certain that he would have some wisdom to impart about whatโ€™s happening now and who we are becoming. I hope that wherever he is, he feels proud to be a part of it โ€” I certainly feel his presence in the song.โ€

Buddy Iahn
Buddy Iahn