The painting was made for the 2011 New Orleans Jazz Festival

There’s a good reason Jimmy Buffett was the face of the 2011 New Orleans Jazz & Heritage Festival – its poster, especially. And it had nothing to do with him being one of its headlining performers alongside Willie Nelson, Robert Plant and Bon Jovi.

Garland Robinette painted a grinning, golden-haired, mustached Buffett into that Crescent City canvas because of its central place in the singer-songwriter’s origin story. As Buffett put it in his 1998 biography, A Pirate Looks at Fifty, “The time I spent working and living in the French Quarter in 1967 changed my entire life.” Pages of that freewheeling book are devoted to those days in New Orleans – being “a hippie and a musician,” busking for spare change on street corners, smoking dope and losing his virginity, learning about life and creating “a façade of irreverence toward death.”

Bud Brimberg – who, in 1975, produced Jazz Fest’s first numbered, limited edition silk-screen poster – commissioned Robinette to paint the 2011 poster. And for Robinette, a gifted painter and beloved Crescent City media personality, it just made simple sense to put Buffett back on one of those Quarter corners playing for tips, a “Will Work 4 Gumbo” sign leaning against his guitar case. A figure lurks in the background, walking past and glancing back – 2011 Jimmy checking in on his younger self.

“There was a specific corner where he was a street musician,” the 80-year-old Robinette says. He used as his inspiration a 1970s photo of Buffett Life magazine repurposed for its special issue honoring the “Margaritaville” singer-songwriter upon his death on Sept. 1 from Merkel Cell Skin Cancer. “I read a lot about him preparing for the portrait – even talked to him on the phone a couple of times, trying to get the flavor. He was great. And in the end, he said, ‘Do what you want to do.’”

Robinette’s finished work, Busking Out: Becoming Jimmy Buffet, was a smash hit; today, prints still sell for big money.

For the first time – and for an extraordinary reason – Robinette’s painting will be auctioned as a centerpiece of Heritage’s Music Memorabilia & Concert Posters Signature Auction taking place November 18-20. With Robinette’s blessings, the work has been consigned by Adele and Mark Foster, who bought the piece from Robinette.

The couple is selling the beloved work to fund a clinical trial for their six-year-old granddaughter Marguerite, who was diagnosed last year with diffuse intrinsic pontine glioma (DIPG). This highly aggressive brain tumor primarily affects children between five and seven. About 200-300 kids are diagnosed with DIPG each year, with fewer than 10 percent surviving beyond two years from diagnosis.

“We absolutely love the painting,” says Adele, a longtime history teacher in New Orleans. “I can’t absolutely say I never thought I’d sell it, but it had to be a really good reason – and here we are. We were thinking about selling it before Jimmy Buffett died, but when he died – which was a shock, as we didn’t know he had aggressive skin cancer – we said, OK, this makes too much sense. We had to do it.”

Marguerite has already endured several treatments involving immunotherapy and radiation; she and her family moved to Seattle for several months for one round of expensive treatment. Some glimmers of hope remain, including experimental drugs from Germany, a clinical trial in Mexico and a Houston doctor’s helmet using oscillating magnetic fields.

“When you don’t have hope, it’s hard to put one foot in front of the other,” Adele says. “When there’s hope, it’s amazing. I didn’t realize the difference hope makes, but when there’s a chance, you feel like, OK, we can do this.”

Adele didn’t know Robinette when she bought the Buffett painting. Still, she certainly knew of him: He’d been a presence on New Orleans TV and radio for decades, and she occasionally called into his WWL-AM radio show to discuss their shared interest in Louisiana’s coastal erosion. During Robinette’s tenure on WWL, he also garnered a national audience when Hurricane Katrina smashed into the Louisiana coast on Aug. 29, 2005. As the Columbia Journalism Review would later write, “The night of the storm, he stayed on the air even as the windows in WWL’s downtown broadcast studio blew out. In the days and weeks that followed, he would sometimes broadcast twelve hours straight or more, working from a studio the size of a broom closet at WWL’s makeshift studio in Baton Rouge.”

Coincidentally, Foster managed a thrift store – proceeds from which funded the St. Francis Animal Sanctuary – next door to the art studio out of which Robinette had worked. She noticed the painting for sale and purchased it – because she adored Robinette, and her husband Mark is a big Buffett fan.

The painting was celebrated upon its debut as Jazz Fest’s poster in 2011. Longtime Times-Picayune arts writer Doug McCash noted that, as always, some folks were unhappy it wasn’t New Orleans-y enough (“It frustrates … those who crave a poster as hot-blooded as the music and city it represents”). But he hailed Robinette’s depiction of Buffett as “quietly compelling,” and noted that he captured “Buffett’s sunny persona perfectly with what seems to be a beam of celestial light piercing the steamy south Louisiana sky.”

Wrote McCash, “Robinette’s somber handling of the balconied Creole townhouse in the background is a nice contrast with the cascade of buoyant colors in Buffett’s Hawaiian shirt and the scarlet parrot fluttering in the distance.”

Robinette says painting Buffett’s portrait was no easy thing. At the time, he, too, was combatting a deadly autoimmune disorder likely caused by his exposure to Agent Orange during his service in Vietnam.

“I painted Buffett’s portrait while I was sick in bed every night,” he says, “I got up, painted, went to bed, got up, painted, went to bed. The pain was excruciating. But it was all worth it, especially now. You do a painting and hope somebody who enjoys it will get it. And then to find out that the painting may mean more than it had before because of a life-threatening situation is pretty extraordinary. For me, art has been miracle after miracle after miracle. It’s absolutely amazing.”

Heritage Auctions is the largest fine art and collectibles auction house founded in the United States and the world’s largest collectibles auctioneer. Heritage maintains offices in New York, Dallas, Beverly Hills, Chicago, Palm Beach, London, Paris, Geneva, Amsterdam, Brussels and Hong Kong.